Caligari87 wrote:Okay, so i feel this is needlessly personal and aggressive. However big a fan you are, Enjay is allowed to have an optimistic outlook just as you're allowed to have a pessimistic one. His quoteback was an (accurate IMO) summary for sake of space, not a dismissal or attack. Also note that if you act like the "angry fanboy who's stuck in the past" people will be more than happy to treat you like one, so please take the chip off your shoulder. Remember that you are not the be-all-end-all arbiter of who gets to enjoy Star Trek.
You're free to feel that way, but that isn't what it was. I had hoped, given the amount of time I've been in this community, that I've earned a measure of benefit of the doubt from the moderating staff. I didn't take Enjay's response personally, nor did he take my follow-up personally.
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It's clear that Enjay and I see the franchise in very different ways. One of the three typical arguments I encounter on the subject of rebooting a franchise incompetently is "well the stuff that came before wasn't that great anyway". Naturally, that's not a line of argument with an objective endpoint; humanity has a massively diverse range of tastes in entertainment and there will always be some people with whom any show, even Star Trek, doesn't resonate. That leads into the second of the three arguments I encounter: "If there are people watching the new stuff, why even care that it's not like the old stuff?"
In New Trek's case, there is a veritable glut of its kind of shallow action-drama to be found elsewhere on TV and in the theaters. Every couple months, the Syfy channel is cranking out another one of those, and your average Marvel movie will scratch that itch on the big screen while being better-crafted besides. So it's not like New Trek was filling some gap in the market. The only reason the Star Trek brand was used was to give the new movies and shows a marketing edge, trading in the brand's reputation to boost ticket sales and CBS All-Access subscriptions.
Star Trek had always had a value beyond just spectacle. When it was good, it introduced thought-provoking sci-fi scenarios and philosophical dilemmas that made for interesting discussions among the viewers afterward. When it was good, plotlines were written coherently and sensibly, they didn't lean on escaping situations with technobabble, and character interactions were a compelling watch and full of charm (and most importantly, they made decisions that made sense within our understanding of their character). And up until DS9 ended, Star Trek was good much more often than it wasn't. The shows set up an expectation of quality writing, which is why those times when they didn't live up to that expectation are so noteworthy (TOS Season 3, some choice stinkers in TNG, Star Trek V, for a handful of examples).
Fans like me aren't hallucinating or awash in nostalgia here. I know that Star Trek used to be good. Me and some others from this community are rewatching TOS from the beginning currently. Though we get a barrel of laughs from the cheesy '60s aesthetics and special effects, when the dramatic thrust of the episode hits and the characters really begin to interact with each other and with the situation, our commentary stops, because at that point the show has sucked us in and gotten us interested in where the story's going.
(And I love Q. His transition from villain to prankster to teacher was a satisfying one to me. He, as a character, made possible two of my favorite episodes of the whole series: Q Who, which introduces the Borg and presents them in their most alien and least relatable form, and Tapestry, a story about Picard confronting his past that puts me in mind of A Christmas Carol and never fails to make me break out in a big smile toward the end.)
So why am I not happy that the new stuff is getting viewers? Well, apart from me not being able to enjoy it, because it's crap, it's giving off the impression to franchise newcomers that this is what Star Trek is about. Someone who might otherwise get hooked big-time on Star Trek's original vision might never give themselves the opportunity when they turn on Discovery and go "oh god, barf", and shut it off. And those who retain their All-Access subscription are only used to fuel CBS's notion that this is what the people want Star Trek to be. The new films and the TV show, being official and canonical Star Trek productions, represent the franchise while simultaneously being totally unrepresent
ative of it.
Despite Patrick Stewart's captivating and impressive body of work, he's certainly not above agreeing to be in some fairly stupid shit for money. I have no illusions about his ability to save Star Trek single-handed.